All JORDAENS, Jacob Oil Paintings

Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels
 

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JORDAENS, Jacob Meleager and Atalanta oil on canvas


Meleager and Atalanta
Meleager and Atalanta
Painting ID::  51058
  1618 Oil on canvas, 152 x 120 cm
  1618 Oil on canvas, 152 x 120 cm

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JORDAENS, Jacob Christ Driving the Merchants from the Temple oil on canvas


Christ Driving the Merchants from the Temple
Christ Driving the Merchants from the Temple
Painting ID::  63940
  1650 Oil on canvas, 288 x 436 cm Musee du Louvre, Paris , Artist: JORDAENS, Jacob , Christ Driving the Merchants from the Temple , 1651-1700 , Flemish , painting , religious
  1650 Oil on canvas, 288 x 436 cm Musee du Louvre, Paris , Artist: JORDAENS, Jacob , Christ Driving the Merchants from the Temple , 1651-1700 , Flemish , painting , religious

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JORDAENS, Jacob Adoration of the Shepherds oil on canvas


Adoration of the Shepherds
Adoration of the Shepherds
Painting ID::  63967
  Oil on canvas Mauritshuis, The Hague , Artist: JORDAENS, Jacob , Adoration of the Shepherds , 1651-1700 , Flemish , painting , religious
  Oil on canvas Mauritshuis, The Hague , Artist: JORDAENS, Jacob , Adoration of the Shepherds , 1651-1700 , Flemish , painting , religious

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JORDAENS, Jacob An Apostle oil on canvas


An Apostle
An Apostle
Painting ID::  63968
  1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious
  1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious

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JORDAENS, Jacob Portrait of a Young Married Couple oil on canvas


Portrait of a Young Married Couple
Portrait of a Young Married Couple
Painting ID::  63971
  1615-1620 Oil on panel Museum of Fine Arts, Boston , Artist: JORDAENS, Jacob , Portrait of a Young Married Couple , 1651-1700 , Flemish , painting , portrait
  1615-1620 Oil on panel Museum of Fine Arts, Boston , Artist: JORDAENS, Jacob , Portrait of a Young Married Couple , 1651-1700 , Flemish , painting , portrait

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     JORDAENS, Jacob
     Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels

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